Summary: One reason we’ve become weak is our amnesia about American history, to an astonishing extent overlaid by myths and falsehoods. Some of our best classics can help us recover this lost knowledge. Oddly, these are often despised due to our indoctrination to believe they are all myth and propaganda. In today’s post, a retired philosopher reviews Fort Apache — one of the greatest westerns.
Review of “Fort Apache”
Directed by John Ford.
Staring Henry Fonda, John Wayne, and Shirley Temple.
RKO Pictures (1948).
By Kelley L. Ross, posted at Friesian.
Re-posted with his generous permission.
One expects John Ford’s classic western Fort Apache to exhibit the typical mindless racism of other western movies of its era. Indeed, the Turner Classic Movies version begins with an introduction that, among other things, warns the viewer that the image of American Indians presented in the movie is not “politically correct.” The host perhaps had not actually watched the movie, for Fort Apache is definitely not what one expects and, politically correct or not, the American Indians it presents to the viewer are not the sort that are typical in other movies.
The movie centers around Henry Fonda’s character of Lt. Col. Thursday. Thursday is a martinet, a bigot, and a fool–not the kind of character we usually see Henry Fonda playing. His assignment at Fort Apache, he makes clear, is beneath his abilities. He thinks he should be off fighting serious Indians, like the Sioux, and he totally ignores the warnings of Capt. York (John Wayne) that he should not underestimate the Apache warriors they may have to face in battle. Thursday doesn’t learn better until it is far too late.